My post-production process began with gaining familiarity with GarageBand on the iMac. I spent time experimenting with its features to understand the layout, tools, and settings. This step was crucial it allowed me to feel confident later when it came time to record voice actors and sound effects. Because I was already comfortable with the software, I faced fewer technical issues and could focus on capturing high-quality audio.
Once I had a good grasp of GarageBand, I moved on to recording with my four voice performers. I directed them through their lines, re-recording when necessary to improve delivery or match the emotional tone of the script. This hands-on recording stage brought all the dialogue into one place, allowing me to start manipulating the sound levels. Some voices were too loud, while others were too soft, so I adjusted volume and EQ to create a consistent audio balance across scenes.
After completing all recordings, I exported the audio as .mp4 files and saved them to cloud storage. From there, I transferred the files to Final Cut Pro, a software I was already familiar with. This allowed me to move efficiently into the editing phase without needing additional learning time.
In Final Cut Pro, I focused heavily on narrative flow. With no visuals, I had to ensure that listeners could clearly understand what was happening at all times. To support this, I incorporated wild tracks background sounds and ambient effects that helped build a sense of space and realism. For example, gym echoes, sneaker squeaks, and subtle digital pings helped immerse the audience and guide them through scene changes.
Once I had an initial draft, I shared it with a third party for feedback. Their fresh perspective helped me identify areas that needed clarity or better pacing. I then revised the project based on their suggestions, fine-tuned the transitions, rebalanced sound levels, and finalised the episode.
Throughout this process, I learned how crucial post-production is in shaping a radio drama. Every decision from mic levels to ambient sound to silence played a role in guiding the listener’s experience. It was a demanding but rewarding process that allowed me to develop both my technical and creative skills in audio storytelling.
